The celebration of the ancient Slavic Ivan Kupala held on the night of July 8 to 9 at the Club "at Brest." The festival Manifesto "Ekletnika" to support the festival "Empty Hills" "Rada and Blackthorn", "Volga", "Troitsa", "Stupid White", will perform "wind water." And fire show and a special menu from the club. Festival Manifesto "Ekletnika" - is an attempt to interpret a variety of creative contemporary musicians, artists, dancers, and other representatives of creative professions are two such complex and difficult conditions of modern art as "Ethnic" and "versatile". Try to understand their penetration and interaction in their etymology and appearance. In their degradation and development And to understand, to define. Call to legalize. Legitimize merge. Give a united life. Once again tried the festival EKLETNIKA bring the seemingly irreconcilable principles established: ethnic and eclectic, combining in a concert of ethno-electronic group Volga and dark-folk-rock songs Rada and Blackthorn with almost archaic Ethniki Ivan Kirchuk and Slav- Celtic motifs of Water Wind. And dub by Stupid White Sunflowers and bagpipes .... Fire Show and finally flooded mead out of the club in Brest! EKLETNIKI in his opinion on the holiday of Ivan Kupala, however, like any other. PROGRAMME: 1 Rada and Blackthorn second Volga third Ivan Kirchuk (Trinity) 4 Wind Water 5 Stupid White 6 Sunflowers and fire show and a special menu from the club. The festival takes place in the night of 8 to 9th July. Starts at 21.00. Information about the first groups Rada and Blackthorn program "Conspiracy", "Conspiracy" - gothic folk-rock. The staff of the program - the composition, based on folk melodies and folk alike. That is, how could the Russian people sing their folk songs, when the tradition was not interrupted. The program includes many new songs - shouted, "What's so cold," "Soul Rejoice", "flying to heaven," "will not blow away and ..." etc. find in the concert program conspiracy light acoustic songs with a hard post-rock sound and an attentive listener are intertwined, and that the show is more like a book. with a plot, intrigue, and the climax of the final catharsis The proximity of the Parliament and thorns folk tradition, in its archaic form Proto-Slavic, always recognizable. In spring 2005, the band released a new album, "The Wedding", along with the folk group a clear day, performing authentic Russian folklore. On this CD, Russian songs naturally woven into the composition of the RADA and thorns. The disc went on sale in late January 2005 and at concerts can be purchased new album. Now Parliament and staff play an odd mix of folk-rock, art-rock and gothic. They are considered one of the founders of the dark folk and folk-rock. The group participates in international festivals and folk gothic outdoors, at the intersection of the existing archaic folk and "dark" scene. The unique voice of Parliament, easily sliding between bel canto and shamanistic magic in the spirit of Diamanda Gallas, exquisite erotic music combined with bright folk-based melodies and lyrics. The group has no "use" of the Slavic tradition, and live in it, extracting prapamyati old songs. http://rada.rinet.ru second Volga "Volga" - a unique project in the Moscow stage, the successful combination of his work developing new electronic, dance rhythms and roots Russian folklore. Pagan psychedelia and ritualism, authentic melodies and lyrics of the old Russia - an integral part of the performances of "Volga". The project includes the vocalist Angela Manukyan, a specialist in vocal techniques and "conspiracies", and Multimarket Alexei Borisov ("Night Prospect", fruits) and Roman Lebedev ("Corrosion of metals", Alien Pat Holman, Idioritmik) as well as artists and creators the original instruments, Yuri Balashov. Project is touring and performing at international festivals in Russia and abroad. Usually by visuals of project performance that accompanies real-time, providing superior Moscow VJ Anikushin Roman and Parisian concept artist Oleg Kornev. Music of "Volga" is equally well regarded in the open, in dance halls and clubs. The composition of the "Volga": Alexei Borisov - electronics, Angela Manukyan - vocals, Roman Lebedev - electronics, Yuri Balashov - sound. http://volgaproject.net/ third Ivan Kirchuk (Trinity) was born in 1958 (Lida, Belarus). He studied at the Academy of Music on a specialty "academic choir director." In 1985 he graduated from the University of Culture as "folk choir director." Three years in the Graduate Institute of Art, Folklore of Sciences of Belarus, specialty engaged "folklore" was. More than 14 years of experience in the Minsk Art School Head. Department of "ritual activity and folklore." I. Kirchuk - author of many programs and reconstructed rituals and festive events for the secondary and higher education in Belarus. His unique work has been broadcast several times on the Republican radio and television broadcasting in Europe, America and Australia. I.Kirchuk creates and manages educational folklore groups "Pradvesne", "Bliskavitsa", "Dabradzei." The most famous of the "Dziva" that I. Kirchuk was conducted for 10 years. From 1995 to 1998 I was president of the International Children Kirchuk fund "Preserve Legacy." During these years he worked as a deputy. Director of the National Children and Youth, the theater folk "Dziva", the children aged 4 to 15 years conducted involved, craftsmen Belarus. At the same time, already had started bold experiments in the field of folk music with a group of "Trinity". In numerous and fruitful expeditions in Belarus, he gained a lot of unique material: - articles of the national life of Belarusians - vintage clothing collection - a collection of traditional musical instruments - a collection of masks - Puppet Theatre "Batleyka" - audio and video archive of folk performers and folk groups, etc. In 1999, I Kirchuk a grant from the Soros Foundation, and has more than 20 concerts in Bosnia-Herzegovina. I. In schools, hospitals, cafes and places to play Kirchuk one shows puppet theater and played the Belarusian musical instruments. In the same year in the Netherlands recorded a solo program "Heritage Village dead" (PAN RECORDS, N185). This unique program was introduced in Hungary at the festival «Kalaka." In the summer of 1999, J. Kirchuk and "Trinity" on the private museum and "Batleyka" at the festival "Oerol" invited in the North Sea for 10 days, gave Ivan and "Trinity" 15 concerts with "Batleyka" and 30 concerts -. "Trinity" In the winter of 2000, "Batleyka" I.. Kirchuk was presented in Germany (Dortmund) and the Winter Festival of Puppet Theater in the Netherlands (Medslavir). During the summer of 2000 in the Netherlands presents a solo CD I.Kirchuka "Heritage lost villages" at major festivals, "Mundial" «Haarlemmerhout." Later there were other festivals, TV and radio programs, not only in the Netherlands but also in other countries. in December 2002 in Minsk, in the theater. Kupala I. Kirchuk a new solo program "Svyaty vechar . "26 May 2003 - mono power -" Varazhbit "concert hall" Minsk "The recitals I. Kirchuk old Belarusian songs, tunes on musical instruments His vast collection of not only Belarusian tools, but tools from around the world materials... I had a fruitful Kirchuk: - own folklore and ethnographic expeditions in various regions of the Republic of Belarus (1982 and 1998) - archive material fonolaboratorii Institute of Art, Folklore of the Academy of Sciences of Belarus - archive materials Republicans Radio T. (Editor Pesniakevich), the association "folklore". In 2001, I. Kirchuk the world's largest network of salon music of the peoples of the world were invited - "Womex", where among the 1,200 delegates from 70 countries, a representative of Belarus. African music on the stand "Mozaijque vivant" Ivan Kirchuk presents his solo CD "Heritage lost villages" and "Trinity". As part of the network interior, Ivan gave a number of considerations. Amsterdam (Rajgoord) I. Kirchuk presented the program "Cross" ("Kryzh"). By participating in the "Womex" I. Kirchuk and "Trinity" Malaysia (Borneo) were invited to the biggest festival "World Music Rain Forest "in July 2002. Currently I. Kirchuk works at the State Pedagogical University. M. tank the Institute of Ethnology and Folklore. Much experimenting with the students of the Belarusian folklore, continues its ethnographic museum, which is currently in Holland to replenish collect musical instruments, wrote the book, not only for ceremonies and festivals in Belarus disco and video graphy. I. Kirchuk CD "Heritage of the lost villages" PAN Rec -185, Netherlands, 2000 VIDEO "Ivan" (12 minutes), 2003, "BelVideoTsentr", dir. B. Shevelevich "Sontz asvyachusya" (13 minutes), 2005, BelTV, dir. Rybakov. 4th Water Wind As you know, people. Folk matter of days, all thinking the same mistake away And not out of malice and without personal motives. Become the norm in our time to hear rattling "ounce, ounces," the text of the fields, harvesting and Veles, accompanied by pipes, with the light hand of the media call it a spacious word "people". No, of course, no one says that it's not people, this category is limited not only moments of the above quite appropriate. Because progress has (and to deny, it is useless) have a place in our lives, and at the same time, as we move from the hand washing machine, from cassette to CD, and so on, so does the music. And one of the most striking examples of this - creativity Moscow group "wind water." This is not the authentic reproduction antique / folk music, but (not to be confused with the pop music) on the contrary, modern music, in other words, "new music", folk, new format. Repertoire "wind and water" consists of two "cycles": European and Slavic. European Song Cycle - medieval music "from Ireland to the Carpathians" in the author's treatment of "wind and water". Slavic cycle presents original compositions on traditional Russian folk structure and folk songs in a modern arrangement. Dan Skurida - vocals, horns (block flute, bamboo flute, nozzles, Vistula, etc.), guitar, mandolin, percussion (darbuka, bodhran, bass, volume, etc.) Maria Skurida - vocals, violin, wind, percussion Fedor Winds - viola , brass Alexander Morozov - Guitar Alexander Tyurin - bass Sergey "Abrey" Abramov - drums Tatiana Bezlepkina - Administrator Alexey Komarov - CFO http://waterwind.ru fifth Stupid White group are stupid WHITE appeared in Troitsk in 1996. For several years, the staff in sound space experiments (search sound) employs. The basis of the musical form was vibration share (Reggae, Dub), but in the absence of a group of African-Americans, French and African Boers group turned their indigenous roots. In one of his interviews GB admits... "I love the variety of music, but still juicy music, like an orange, it is either happy or quiet, or always gives strength and beauty, is the depth of the human soul is the music most intimate conversations, there are no empty pauses, uncertainty, lack of clarity. "His style is defined as Stupid White DAB trans romance or city psihoDAB. Independent online music magazine curiosities group called the founder of the Russian acoustic dub. This is so. Your performance group transforms into a bright, magic act, a musical theater piece, not by the direction and the expression and interaction with the audience. At the moment the group of concert. Stupid White takes a constant part of the annual festival Hip Life, Hollow Hills, Music Fest, is touring in the cities of the Golden Ring, and is open to cooperation. http://gbmusic.ru/ 6th Sunflowers group "Sunflowers" was born in 2004. in Moscow as another attempt, a place Oleg Drobinskaya art playing the bagpipes in the world today, especially in the Russian capital to find. As it turns out, has not the traditional music of his power away. At home and the conditions of rural life, the loss of this culture, On the contrary, dance music played from distant Galicia on typical of the places with the support of bagpipes incendiary drum beats warmly accepted the Russian public. I allow myself to say the boldness that the problem here is not so much. About the exotic, much of the power of popular art, worthy Podanev does not leave anyone indifferent In the case of "Sunflowers", which promotes a high level of musical culture of the participants: Oleg Drobinsky playing the bagpipes since 1997, the year he studied the style and character of the music while traveling through Spain, France and Brittany, in addition to Bagpipe has the clarinet, flute, bouzouki, domra and other tools. Dmitry Ignatov specializes in stringed instruments, has bouzouki, oud, bass and so on, but also some woodwind, flute, zurna, etc. kornamuz work with several early music ensembles in Moscow, St. Petersburg and Nizhny Novgorodzhe. Maria Drobinskaya besides playing various percussion and harp committed performance of songs including his own compositions on the guitar, although this aspect of their work so far and is not presented as part of the "Sunflowers". Victor Brinks, participating in many of the speeches lifted, the bagpipes after a few years in the orchestra of the RF MVD Moscow as a clarinetist. Right now, all as a bass player and piper "Mervent" known. The repertoire of "Sunflowers" on folk tunes, mostly from Galicia, but also Scottish, French, Irish, Breton ... Presence and original compositions. Wonderful decoration of any holiday, distant echo of a violent spring, the Spanish, made the island live sound man in our society - the group "Sunflowers" is able to open up new horizons for each listener. Wrote Ricardo Portela - "Play, boy, do not rise to the dead" Band Members: Mary Drobinskaya - Jumbo "Meynl" (a modern version of an African drum), harp (homuz), language and art. Dmitry Ignatov - bouzouki (a stringed instrument similar to a mandolin) Oleg Drobinsky - Haiti (Galician bagpipe), kaval and fluer (Moldovan flute), Tin Vistula (Irish Pipe). And Friends: Victor Brinks - Haiti Pedestrian (sometimes) - Drums http://www.girasol.ru
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